Eve After the Original Sin- Delaplanche

March 13, 2014

Eve After the Original Sin, Eugene Delaplanche

Eve After the Original Sin, Eugene Delaplanche

I stumbled upon an image of this beautiful sculpture on Google’s Art Project and fell in love with her. I wish I was in Paris, so I could see her up close for more fine details. Her body language is what pulled me in. She does not come across as mournful due to the knowledge of good and evil. She seems pensive, but there is also something light about her expression. In many paintings of Adam and Eve after “The Fall”, they are sobbing and embarrassed of their bodies; they cover and hide themselves from the viewer.

If she were horizontal, her body would appear to be in a fetal position- seeking comfort of some kind. The parts she hides from us our her nether regions and her lips, but it doesn’t seem to be out of shame. She seems to be soaking in the memory of her actions. Maybe it gave some pleasure to fall from grace. The way her body curves is almost mimicking the shape of the snake beside her; she is curling into herself for comfort. Maybe she is thinking about what she has done. She reminds me of child who has been caught doing something she shouldn’t have but doesn’t quite feel bad about it. Maybe she is even hopeful for the new possibilities added to her life.

In these images is it difficult to see her true expression. I recommend visiting the professional photo here. She appears as though she is thinking, “How do I get myself out of this mess?” or maybe “What am I do to with this knowledge I now have?” As an observer with “insider information” and life experiences, one brings that to the artwork one views. How does she appear to you?

Look. Listen. Respond.


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